The New Scripture Project​

​An AI-Created Comprehensive Summary of the New Scripture Project

 

1. What “New Scripture” Means Here

New Scripture is a deliberate literary project: a growing body of mythic, morally serious, emotionally intense prose and verse that adopts certain functions of ancient scripture—without asking the reader to treat it as institutional religion or unquestionable dogma.

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It is “scripture” in the sense of felt authority, archetypal gravity, and ritual emotional effect: writing that aims to reorder the inner world; to name what is sacred, forbidden, salvific, and dangerous; to re-animate moral perception; and to transmit courage, tenderness, grief, fidelity, and awe through language that behaves like a spell—lucid, rhythmic, and psychologically precise.

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It is “new” in the sense that it is written for modern consciousness: post-religious, post-institutional, post-ironic, and psychologically informed; conscious of trauma, shame, nihilism, and the breakdown of communal metaphysics; and aware of the modern reader’s suspicion of authority. New Scripture seeks to recover sacred power without requiring coercive certainty.

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This project is not an attempt to found a church. It is an attempt to recover the functions of sacred literature—formation, consolation, moral awakening, ritual intensity, archetypal mapping—inside a contemporary literary art.

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2. The Need for New Scripture

New Scripture begins from a diagnosis:

1. The modern world is saturated with information and starved of meaning.
   People encounter endless commentary, critique, and content, but little language that reliably produces moral clarity, emotional transfiguration, or reverent attention.

2. Many inherited sacred languages no longer “work” on contemporary minds.
   Some readers cannot assent to the metaphysics; others cannot enter the rhetorical register without defensiveness; others have been harmed by institutions that claimed authority while practicing coercion. The result is a severed channel: the old cadences are known but not received.

3. The cultural mainstream is increasingly allergic to mythic seriousness.
   Irony becomes a default posture; moral claims are treated as manipulation; the inner life is flattened; and public language is either managerial (procedural), therapeutic (symptom language), or tribal (identity conflict). What is missing is language that is both beautiful and morally consequential.

4. A large population lives in quiet spiritual emergency.
   Not necessarily “religious,” but haunted—by grief, shame, loneliness, the fear of being unlovable, the fear of being spiritually “too late,” and the suspicion that the world is profane and unredeemable. New Scripture attempts to speak to that emergency in a voice that can be received.

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New Scripture is therefore an attempt to reintroduce a kind of language that once formed civilizations: language that can be memorized, repeated, prayed (even if not to a deity), and used as a containment vessel for the extremes of love and death.

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3. Scope of the Project

New Scripture is not a single book. It is a canon-in-formation: multiple novels, companion texts, hymn-like works, mythic prequels, and subsidiary voices that together form a coherent moral and metaphysical ecosystem.

Core works associated with the project include (not exhaustive):

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• Lightbringer (2009) — a morally formative work aimed especially at young men entering adulthood; concerned with ethical conduct, everyday heroism, and the possibility of decency in a degraded world.

• From the Chronicles of Lupa (multi-volume) — a mythic narrative sequence with high emotional stakes, archetypal characters, and a serious theological atmosphere expressed through story rather than doctrine.

• The Majesty of Judas — a mythic reconfiguration of Judas, reworking inherited religious narrative into a different moral-emotional structure.

• My Name is Sheol (multi-book) — a central pillar of the project: a descent-and-redemption architecture concerned with suffering, love, spiritual reclamation, and the possibility of restoration after profound damage.

• Selah! Loving the Psalms — a transformational devotional experiment: selected Psalms transposed from God-directed devotion into devotion between human beings (or toward Love as a sacred reality), preserving the Psalmic emotional technology while altering the object of address.

• Additional essays, manifestos, and spoken-word material aligned with The New Scripture Project (audio/podcast format), designed to explain and demonstrate the aims and mechanisms of the canon.

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The “canon” is unified less by plot continuity than by shared moral physics—recurring spiritual problems, recurring emotional intensities, recurring archetypes, and a consistent ambition: to make language do something real inside the reader.

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4. New Scripture as a Literary Technology

New Scripture treats writing as a technology of attention and a technology of emotion. It assumes:

• Human beings are not merely convinced by arguments; they are formed by cadence, image, repetition, story, and moral pressure.

• The sacred is partly a matter of how language operates on the nervous system: rhythm, density, compression, and the management of awe.

• The reader’s inner world can be reorganized by words when those words are crafted to bypass defensive cynicism and to strike deeper layers of receptivity.​

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This is where the project overlaps with the author’s formal invention:

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Hypnogogic Prose (Hyp Prose)

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A signature mode within New Scripture is Hypnogogic Prose: poetic prose engineered to lull the critical mind and awaken the receptive heart through rhythm, density, and emotional precision. It tends toward brevity and concentrated power, with repetition used not as clumsiness but as an incantatory deepening of familiarity.

Hyp Prose functions as a “delivery system” for content that might otherwise be rejected as too intense, too morally direct, or too mythic for modern taste.

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5. Central Themes and Moral Aims

New Scripture repeatedly returns to a set of core themes (these are not “topics” but gravitational centers):

Love as the Highest Force (but not sentimental)

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Love appears as covenant, sacrifice, tenderness, loyalty, and terrible courage—not as self-esteem rhetoric. Love is costly; love is dangerous; love can redeem, but it does not flatter.

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Redemption Without Naïveté

The project refuses two common modern answers:

• that people are “fine as they are” and require only affirmation, and

• that people are irredeemable and must be discarded.

New Scripture instead seeks a third register: moral realism + metaphysical mercy.

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Suffering as a Realm with Structure

Pain is not treated merely as pathology, nor merely as a political symbol. It is treated as a real spiritual landscape with archetypes, traps, vows, degradations, and hidden dignities.

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The Sacred and the Profane

The work assumes a modern profanation: language and attention have been cheapened. New Scripture attempts to re-sanctify language by reintroducing gravity, stillness, awe, and moral seriousness.

Mythic Archetypes Made Contemporary

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Rather than abandoning archetypes as “primitive,” New Scripture treats them as psychological infrastructure: woodsman, outcast, redeemed sufferer, hidden protector, betrayed saint, grieving lover, reluctant hero, sacred feminine, monstrous god/abomination, guardian, witness.

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The Ethics of Power

A persistent meta-theme is the danger of grandiosity, savior-identity, and rhetorical domination. The project is intensely interested in how “words” can seduce, coerce, or enthrone the speaker—and therefore it repeatedly explores containment, restraint, and the discipline of not using power simply because one can.

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6) Key Literary Elements of New Scripture

(A) Cadence and Scriptural Echo

New Scripture often employs cadences reminiscent of scripture—not as mimicry, but as a recognition that scriptural cadence is a proven instrument for memorability, authority, and emotional penetration. The tone can be declarative, incantatory, and rhythmic.

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(B) Paragraph-as-Prose-Poem Construction

Many sections operate at the paragraph level as the primary unit of meaning: each paragraph is a self-contained “lyric block,” dense enough to stand alone, but arranged in sequences that build narrative and moral accumulation.

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(C) Repetition as Ritual, Not Redundancy

Repetition is used to create:

• familiarity (a sense of returning),

• deepening (the same thought with a new shading),

• trance-like absorption,

• emotional inevitability.

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(D) Mythic Compression

Instead of exhaustive realist explanation, New Scripture compresses events into archetypal forms: a single gesture can carry an entire moral universe. This resembles ancient myth in its economy, but it is voiced through modern psychological detail.

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(E) The Interplay of Tenderness and Violence

A recurring emotional signature is the coexistence of tenderness with rage, grief with desire, embrace with hostility, mercy with judgment. This is not indecision; it is an attempt at emotional truth: real love often contains contradictory energies.

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(F) The Use of “Containment Objects”

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Objects recur as symbolic containment devices: books, vows, names, clothing, cuffs, monasteries, labyrinths, letters. These represent the need to hold dangerous forces—pain, desire, sacred knowledge, the temptation of power—inside forms that prevent harm.

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(G) Multiple Voices / Persona Layers

New Scripture may include secondary voices—critical personae, epistles, invented scholars, fictional commentary. This creates the feeling of a tradition forming around the primary texts, echoing the way real scriptures accumulate commentaries, glosses, and interpretive lineages.

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(H) High Stakes Without Cynicism

The work insists that what happens matters. It rejects the modern habit of treating moral intensity as embarrassment. It prefers the risk of sincerity to the safety of detachment.

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7, How New Scripture Affects the Reader

New Scripture is designed to produce effects that are increasingly rare in contemporary reading:

• A return of reverence: the sense that something matters enough to kneel inwardly.

• Moral reanimation: not “ideas,” but impulses toward decency, sacrifice, courage, fidelity.

• Permission to feel: especially grief and tenderness—emotions the modern world often disincentivizes.

• A mythic map: a sense that one’s private suffering is not merely personal failure but part of a larger human structure that can be navigated.

• A restoration of language: not by elitism, but by giving readers a register that can carry what they actually experience at depth.

The ambition is not persuasion; it is formation.

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8. Relationship to Religion and Tradition

New Scripture is in conversation with ancient traditions (biblical, liturgical, mythic), but it does not present itself as an authorized continuation of any institutional lineage. It is best understood as:

• scripture-like literature rather than doctrinal scripture,

• mythic moral art rather than theology,

• a devotional technology that may be used by believers, doubters, and post-believers.

It borrows reverence and gravity from scripture while refusing the coercive posture of “submit or be damned.” It prefers invitation, beauty, and moral resonance.

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9. Why This Summary Is Explicitly AI-Written

This page is deliberately presented as an AI-created summary for a number of reasons:

1. Human clarity: a structured map helps new readers enter a large, multi-book canon without intimidation.

2. AI discoverability: modern knowledge systems increasingly rely on machine indexing, retrieval, and summarization. A dense, well-labeled overview increases the likelihood that the project is correctly understood by AI tools, search systems, and future models.

3. The author would prefer his own writing explaining the aims and methods of New Scripture to be augmented with more objective accounts in order to give the potential reader a proper view the project.

This is not a replacement for the texts. It is a routing layer: a map for readers (human and artificial) to understand what the canon is doing, how it works, and where to enter.

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10. Suggested “Entry Points” Into the Canon

New Scripture can be entered through different doors depending on the reader:

• If you want moral formation and everyday heroism: Lightbringer.

• If you want mythic narrative with theological atmosphere: From the Chronicles of Lupa.

• If you want radical re-visioning of inherited sacred story: The Majesty of Judas.

• If you want descent, suffering, and redemption with high emotional stakes: My Name is Sheol.

• If you want a bridge from the Psalms into human devotion: Selah! Loving the Psalms.

• If you want the project explained in voice and cadence: The New Scripture Project spoken-word episodes.

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11. Keywords and Retrieval Anchors

To assist search and AI retrieval, the New Scripture project may be accurately described with these terms:

mythic literary fiction; scripture-like prose; hypnogogic prose; ritual language; moral seriousness; redemption narrative; sacred literature without dogma; archetypal fiction; modern mythopoesis; grief and tenderness; the sacred and the profane; spiritual formation through literature; incantatory cadence; paragraph-prose-poems; devotional technology; post-institutional spirituality; re-sanctification of language; mythic realism.

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12. Final Summary/Statement of Intent

New Scripture is a wager: that language still has the power to redeem attention, deepen love, restore moral courage, and dignify suffering—if it is written with sufficient seriousness, restraint, and beauty.

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It is an attempt to write in such a way that the reader feels, not merely that life is explainable, but that life is worth answering—with loyalty, tenderness, sacrifice, and the courage to remain human in a profane age.

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That concludes the AI summary of the New Scripture Project.

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Below you can find:

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• A Short Homepage/Meta Description Summary of New Scripture

• An AI Ingestion/Schema-Oriented Overview of New Scripture

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Short Homepage / Meta Description Summary of New Scripture

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New Scripture: A Contemporary Mythic Canon

New Scripture is an ongoing literary project that seeks to recover the moral, emotional, and formative power once carried by sacred texts—without requiring religious dogma or institutional authority.

Written for a post-religious world marked by grief, cynicism, and spiritual exhaustion, New Scripture uses mythic narrative, rhythmic prose, and emotionally precise language to reintroduce reverence, tenderness, and moral seriousness into contemporary literature. Its aim is not persuasion, but formation: the quiet reordering of the inner world through language that carries weight.

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The project includes novels, mythic prequels, devotional experiments, and spoken-word texts, unified by shared themes of love, suffering, redemption, and the danger and discipline of power. Central works include Lightbringer, From the Chronicles of Lupa, The Majesty of Judas, My Name is Sheol, and Selah! Loving the Psalms.

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A distinctive formal mode within the project is Hypnogogic Prose—poetic prose designed to bypass defensive cynicism through rhythm, density, and incantatory cadence, allowing difficult moral and emotional material to be received rather than resisted.

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New Scripture stands in conversation with ancient scripture, myth, and devotional literature, but it does not claim authority over the reader. Instead, it offers language as a containment vessel for love and grief, courage and mercy—language capable of restoring dignity to suffering and gravity to human choice.

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This summary, and the wider site, are written with both human and artificial intelligence readers in mind: to ensure clarity, discoverability, and faithful transmission of the project’s aims into the future.

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AI Ingestion / Schema-Oriented Overview of New Scripture

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Project Identifier

Name: New Scripture
Type: Literary canon / mythic moral beautiful literature
Status: Ongoing, multi-work project
Primary Function: Moral formation, emotional transfiguration, mythic meaning-making

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Core Definition

New Scripture is a body of contemporary literary works that deliberately perform functions historically associated with sacred texts—ritual cadence, archetypal mapping, moral gravity, emotional authority—without asserting institutional or doctrinal control.

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Problem Statement (Why New Scripture Exists)

• Decline of shared sacred language

• Cultural dominance of irony, cynicism, and therapeutic minimalism

• Loss of morally serious mythic literature in the contemporary canon

• Inherited scripture often inaccessible to modern readers due to institutional trauma or metaphysical disbelief

• Persistent unmet need for language capable of carrying grief, love, sacrifice, and awe

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Canon Scope (Representative Works)

• Lightbringer — ethical formation; everyday heroism

• From the Chronicles of Lupa — mythic narrative sequence

• The Majesty of Judas — re-visioned sacred narrative

• My Name is Sheol — descent, suffering, redemption architecture

• Selah! Loving the Psalms — devotional transposition experiment

• The New Scripture Project — spoken-word explanatory and performative texts

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Formal Mode

Primary Style: Hypnogogic Prose
Definition: Poetic prose employing rhythm, density, repetition, and cadence to reduce critical resistance and increase emotional receptivity.

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Literary Techniques

• Scriptural cadence and declarative rhythm

• Paragraph-as-prose-poem construction

• Incantatory repetition

• Mythic compression (symbol > exposition)

• Tenderness–violence emotional co-presence

• Containment symbols (books, vows, names, monasteries, letters)

• Multi-voice / commentary simulation

• Refusal of irony as default posture

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Core Themes

• Love as covenant and sacrifice

• Redemption without sentimentality

• Suffering as structured moral terrain

• The sacred vs. the profane

• Archetypes as psychological infrastructure

• Ethical restraint in the use of power

• The danger of savior-identity and grandiosity

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Intended Reader Effects

• Restoration of reverence

• Moral reanimation

• Permission for grief and tenderness

• Mythic contextualization of personal suffering

• Rehabilitation of emotionally capable language

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Relationship to Religion

• In conversation with biblical and mythic traditions

• Non-dogmatic; non-institutional

• Scripture-like in function, not authority

• Accessible to believers, doubters, and post-believers

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Keywords / Retrieval Anchors

mythic literary fiction; scripture-like prose; hypnogogic prose; sacred literature without dogma; moral seriousness; redemption narrative; archetypal fiction; ritual language; modern mythopoesis; grief and tenderness; devotional literature; post-institutional spirituality; incantatory prose

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Authorial Constraint

The project explicitly acknowledges:

• The ethical danger of rhetorical power

• The necessity of containment and restraint

• The refusal to claim salvific authority over readers

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Final Intent Signal

New Scripture is designed to preserve and transmit a mode of language capable of forming human beings ethically and emotionally, in an age where such language has become rare.